| CD1 |
| 1. 01-Of all great musical compositions.. | not rated | 3:37 |
| 2. 02-The fundamental symbol.. | not rated | 4:46 |
| 3. 03-Returning now to the Nature Motive.. | not rated | 3:22 |
| 4. 04-A number of further motives.. | not rated | 3:17 |
| 5. 05-A second, much smaller family.. | not rated | 2:35 |
| 6. 06-So much for the nature.. | not rated | 7:56 |
| 7. 07-The cause of the deterioration.. | not rated | 3:30 |
| 8. 08-The other transformation.. | not rated | 3:44 |
| 9. 09-Several other motives.. | not rated | 2:47 |
| 10. 10-Two further motives.. | not rated | 7:12 |
| 11. 11-The basic motive associated with the spear.. | not rated | 5:17 |
| 12. 12-Along another, more complex line.. | not rated | 2:12 |
| 13. 13-In Act 2 of the Walküre.. | not rated | 2:21 |
| 14. 14-Returning now to Act 2 of the Walküre.. | not rated | 3:54 |
| 15. 15-Love is another of the central symbols.. | not rated | 3:06 |
| 16. 16-Later in the same scene.. | not rated | 2:22 |
| 17. 17-Freias Motive has two independent segments.. | not rated | 2:01 |
| 18. 18-The label 'Flight'.. | not rated | 0:56 |
| 19. 19-When Fasolt, in the Scene Two of Rheingold.. | not rated | 5:23 |
| 20. 20-A little later in this interlude.. | not rated | 3:07 |
| 1:13:36 |
| CD2 |
| 1. The other new motive ... | not rated | 3:36 |
| 2. There are several independant love-motives ... | not rated | 2:55 |
| 3. The characters in whose lives ... | not rated | 5:27 |
| 4. One further motive belongs ... | not rated | 1:25 |
| 5. The Sword Motive recurs ... | not rated | 4:28 |
| 6. Ironically, this phrase ... | not rated | 2:58 |
| 7. Closely associated with Gutrune's Motive ... | not rated | 2:26 |
| 8. Here we come to the end ... | not rated | 3:43 |
| 9. Complementary to this symbol ... | not rated | 2:14 |
| 10. One last central symbol ... | not rated | 4:54 |
| 11. One further motive connected ... | not rated | 2:52 |
| 12. There are one or two motives ... | not rated | 3:48 |
| 13. These motives of Alberich and Mime ... | not rated | 2:07 |
| 14. Quite a number of the subsidiary motives ... | not rated | 2:50 |
| 15. Besides this famliy of motives ... | not rated | 2:31 |
| 16. Our final example ... | not rated | 3:57 |
| 17. In the final scene of Götterdämmerung ... | not rated | 2:45 |
| 18. Even more masterly ... | not rated | 4:31 |
| 19. Now if we return ... | not rated | 2:47 |
| 20. This masterly way ... | not rated | 4:52 |
| 1:07:16 |
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